{"title":"Clip Art","description":null,"products":[{"product_id":"slab-serif","title":"Slab Serif","description":"\u003cb\u003eA compact, yet comprehensive design resource, expertly selected by graphic design’s leading historians\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eThe slab serif typeface—in their classic form, wood types made for large-scale posters, ads, and newspapers—may not be as all-purpose as the gothic or sans serif, but it is equal, if not more powerful, in graphic appeal. Since being introduced in the nineteenth century, slabs have become ubiquitous and are today as popular as ever.\u003c\/p\u003e\r\n\u003cp\u003eSlabs come from a genre of Egyptian typefaces (some of the leading slabs are called Cairo and Sphinx) brought back to France by Napoleon and marketed in specimen sheets and books as representing a glorious heritage brought to the present. In 1931, Morris Fuller Benton created the Stymie typeface, a reworking of a slab serif type popular in Europe at that time: Memphis. The IBM logo is one of the most famous slab serif marks. The serifs were often exaggerated so they would not result in simply beautiful letterforms but would be functionally superior to other faces. Slabs, therefore, came in many iterations and were eventually recognized as a face with many characters—and nationalities.\u003c\/p\u003e\r\n\u003cp\u003eFollowing the cult typography volumes \u003ci\u003eScripts\u003c\/i\u003e, \u003ci\u003eShadow Type\u003c\/i\u003e, and \u003ci\u003eStencil Type\u003c\/i\u003e, this new volume comprises an artfully curated selection of hundreds of international and classic examples to inspire fresh and unexpected typographic ideas.\u003c\/p\u003e\r\n\u003cbr\u003e","brand":"None","offers":[{"title":"Trade Paper","offer_id":47101056254162,"sku":"9780500518496","price":44.95,"currency_code":"CAD","in_stock":false}]},{"product_id":"376-decorative-allover-patterns-from-historic-tilework-and-textiles","title":"376 Decorative Allover Patterns from Historic Tilework and Textiles","description":"The increased use of quality designs in 19th-century manufactured goods created a steady demand during that period for collections of decorative patterns. This volume reproduces one such collection an extremely rare and valuable portfolio of 376 motifs assembled more than a century ago by two French Jesuit scholars. \u003cbr\u003eRelying on historical wall and floor tiles, textile patterns, tapestries, wall hangings, and other designs originating in the Middle Ages, the Renaissance, and later European and Islamic cultures, Charles Cahier (1807 1882) and Arthur Martin (1802 1856) produced a work of true artistic distinction. Included are a wealth of splendid floral, animal, bird, and geometric patterns, carefully researched and meticulously redrawn for use in a myriad of graphic and artistic projects. Many of the motifs are accompanied by complementary border designs, an often essential accessory. \u003cbr\u003eThis edition faithfully reproduces the edition published in 1868, titled \u003ci\u003eSuite aux melanges d'archeologie\u003c\/i\u003e. It represents an invaluable copyright-free resource embodying the finest designs from historic sources, ready for use by artists, illustrators, craftspeople, and designers working with textiles, wallpapers, interior decoration, and other projects.\"","brand":"None","offers":[{"title":"Paperback","offer_id":47122517655762,"sku":"9780486261461","price":24.95,"currency_code":"CAD","in_stock":false},{"title":"Kobo eBook","offer_id":47122517688530,"sku":"f3a64697-d084-4ef1-852f-bda305199fa9","price":22.62,"currency_code":"CAD","in_stock":true}]}],"url":"https:\/\/indigo-pre-prod.myshopify.com\/collections\/clip-art.oembed","provider":"Indigo Pre-Prod","version":"1.0","type":"link"}