The Girl Before
Frederick Bancroft
The Girl Before
Frederick Bancroft
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The Girl Before Reading Group Guide
1. At the beginning of the story, armed men burst into Clara Lawson’s home and take her and her family away. From Clara’s perspective, this is a frightening and baffling turn of events. When did you understand the true nature of her capture, and of the life she’d led before? What were the clues?
2. Consider the relationship between Clara and Glen. Was it ever true love?
3. For the most part, Mama Mae appears as a stern, dislikable woman. Were there any moments in which you felt sympathy for her? Were there any revelations about her past that helped explain her behavior?
4. In Clara’s world, there are obvious gradations between women. Which factors dictate a woman’s status? Are these factors different from or similar to those that exist in the world you know?
5. One of the novel’s central themes is the extent to which people can be molded by the surroundings and teachings to which they’re exposed. Discuss the novel’s various characters in this context. Which were molded more easily? Who experienced the most obvious transformations?
6. Though the role of nurture plays an obvious part in the story, were there also ways in which human nature trumped environment? Did any characters resist the influence of their surroundings? In what ways did Clara’s closest relationships—her romance with Glen, her friendship with Macy, her mother-daughter dynamic with Passion/Emily—defy the boundaries of her upbringing?
7. How do characters like Dr. Mulligan, the women from the therapy group, and Connor all contribute to Clara’s healing? What perspectives does each bring to the process?
8. What does the novel illustrate about the importance and fluidity of identity? How is an identity formed or shed? What role do names play in this process?
9. To what extent do you think Clara is culpable for the operation in which she participated? Did you agree with the verdict of the court? Why or why not? Could Glen also be considered a victim as well as a perpetrator?
10. In the end, Clara has mixed feelings about Glen. Why? Is this understandable?
11. The story is told in a dual narrative—the linear narrative of “Now” and the fragmented narrative of “Then.” How did you feel about this style? Why do you think the author chose to tell the story in this way?
1. At the beginning of the story, armed men burst into Clara Lawson’s home and take her and her family away. From Clara’s perspective, this is a frightening and baffling turn of events. When did you understand the true nature of her capture, and of the life she’d led before? What were the clues?
2. Consider the relationship between Clara and Glen. Was it ever true love?
3. For the most part, Mama Mae appears as a stern, dislikable woman. Were there any moments in which you felt sympathy for her? Were there any revelations about her past that helped explain her behavior?
4. In Clara’s world, there are obvious gradations between women. Which factors dictate a woman’s status? Are these factors different from or similar to those that exist in the world you know?
5. One of the novel’s central themes is the extent to which people can be molded by the surroundings and teachings to which they’re exposed. Discuss the novel’s various characters in this context. Which were molded more easily? Who experienced the most obvious transformations?
6. Though the role of nurture plays an obvious part in the story, were there also ways in which human nature trumped environment? Did any characters resist the influence of their surroundings? In what ways did Clara’s closest relationships—her romance with Glen, her friendship with Macy, her mother-daughter dynamic with Passion/Emily—defy the boundaries of her upbringing?
7. How do characters like Dr. Mulligan, the women from the therapy group, and Connor all contribute to Clara’s healing? What perspectives does each bring to the process?
8. What does the novel illustrate about the importance and fluidity of identity? How is an identity formed or shed? What role do names play in this process?
9. To what extent do you think Clara is culpable for the operation in which she participated? Did you agree with the verdict of the court? Why or why not? Could Glen also be considered a victim as well as a perpetrator?
10. In the end, Clara has mixed feelings about Glen. Why? Is this understandable?
11. The story is told in a dual narrative—the linear narrative of “Now” and the fragmented narrative of “Then.” How did you feel about this style? Why do you think the author chose to tell the story in this way?
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- Date de publication : Aug 09, 2016
- Langue : anglais
- Nombre de pages : 320
- Éditeur : Penguin Publishing Group
- ISBN : 9781101982358
- Dimensions : 5.46" W x 0.85" L x 8.23" H
Praise for The Girl Before
“Gripping...A powerful, moving debut by therapist Olsen in which cruelty is counterbalanced by compassion and love.”—Booklist (starred review)
“Easily the most disturbing and unsettling book I have read this year....As in the best suspense novels, there are mysteries within mysteries, and all is not what it seems—not to Clara, and definitely not to the reader.”—BookPage, A Best Mystery of 2016
“[A] thoughtful look at victims and perpetrators and the difficulties that arise for someone who is both at once....[The Girl Before] moves at the pace of a mystery, but the novel is strongest when it allows Clara to unpack her past and consider who she will be going forward. A moving story of recovery and responsibility.”—Kirkus Reviews
“I couldn't put it down. The novel is compelling, perplexing, and ultimately uplifting! The unusual structure is a perfect match for the magnetic voice of the central character. I predict this daring debut will make Rena Olsen “the girl ahead” among psychological suspense authors.”—Karen Harper, New York Times bestselling author of Upon a Winter’s Night
“A disturbing story, haunting and important.”—Alexandra Burt, author of Remember Mia
“Daring, harrowing and absolutely riveting.”—Sandra Block, author of Little Black Lies
“Gripping...A powerful, moving debut by therapist Olsen in which cruelty is counterbalanced by compassion and love.”—Booklist (starred review)
“Easily the most disturbing and unsettling book I have read this year....As in the best suspense novels, there are mysteries within mysteries, and all is not what it seems—not to Clara, and definitely not to the reader.”—BookPage, A Best Mystery of 2016
“[A] thoughtful look at victims and perpetrators and the difficulties that arise for someone who is both at once....[The Girl Before] moves at the pace of a mystery, but the novel is strongest when it allows Clara to unpack her past and consider who she will be going forward. A moving story of recovery and responsibility.”—Kirkus Reviews
“I couldn't put it down. The novel is compelling, perplexing, and ultimately uplifting! The unusual structure is a perfect match for the magnetic voice of the central character. I predict this daring debut will make Rena Olsen “the girl ahead” among psychological suspense authors.”—Karen Harper, New York Times bestselling author of Upon a Winter’s Night
“A disturbing story, haunting and important.”—Alexandra Burt, author of Remember Mia
“Daring, harrowing and absolutely riveting.”—Sandra Block, author of Little Black Lies
Rena Olsen grew up moving around every few years, following her minister father from church to church, and her exposure to so many different people and environments sparked an interest in human nature. She earned a bachelor’s degree in psychology and a master’s degree in marriage and family therapy. A licensed therapist, she works in Des Moines, Iowa.
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A Bucket of Stars
Suri Rosen
The Transatlantic Book Club: A Novel
Paulinus
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Ambrogioth Contarini
Absolutely, Positively Natty
Kuroki
Small Town Pride
Figueira Gastón 1905-
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