Sargent's Women: Four Lives Behind The Canvas
R. Randle Edwards
Sargent's Women: Four Lives Behind The Canvas
R. Randle Edwards
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- Published date: Jul 24, 2018
- Language: English
- Publisher: WW Norton
- ISBN: 9780393356168
- Dimensions: 5.56" W x 0.82" L x 8.25" H
In Sargent’s Women . . . [Lucey] does . . . what she does best, creating a rollicking snow globe version of an almost unimaginable world of wealth, crackpot notions of self-improvement and high-flying self-indulgence.—Amy Bloom, New York Times Book Review
[A] lyrical meditation on life, love, and art in the Gilded Age. . . . Sargent’s Women abounds with dazzling characters in atmospheric settings. . . . As rich as [Sargent’s] portraits are, the textural evidence in which Ms. Lucey ensnares them is finer still.—Jane Kamensky, Wall Street Journal
[Lucey] delivers the goods, disclosing the unhappy or colorful lives that Sargent sometimes hinted at but didn’t spell out. . . . Sargent’s Women is a good read . . . [and its] chatty pleasures are considerable.—Michael Upchurch, Boston Globe
Sargent’s Women has a distinct elegance and potency—Lucey’s writing propels you forward, straight to the heart of the story, along the vibrant ties that linked this fascinating artist to the women he made infamous.—Christene Barberich, global editor-in-chief and cofounder, Refinery29
Like characters from the writings of Edith Wharton, [the women in this book] were smart, passionate, willful, adventurous and striking-looking—particularly when immortalized by John Singer Sargent. . . . Lucey’s prose is invitingly conversational and quick-flowing. Her character sketches are colorful and she is not, thank goodness, above conveying some wonderfully catty gossip.—Alexander C. Kafka, Washington Post
Ingenious.—Frances Wilson, Times Literary Supplement
Choosing four striking Sargent portraits of wealthy, cosmopolitan American women, Lucey vividly reveals the hidden truths of their tumultuous lives, while also succinctly telling the artist’s own intriguing story. . . . Lucey’s superlative group portrait, rendered in crystal-clear prose, is spring-fed by . . . her keen insights into what drove these women to break out of their gilded cages.—Booklist, starred review
[Lucey’s] narrative is engaging and elegant, set in a rich cultural and social framework that insightfully reflects the era.—Library Journal, starred review
[A] lyrical meditation on life, love, and art in the Gilded Age. . . . Sargent’s Women abounds with dazzling characters in atmospheric settings. . . . As rich as [Sargent’s] portraits are, the textural evidence in which Ms. Lucey ensnares them is finer still.—Jane Kamensky, Wall Street Journal
[Lucey] delivers the goods, disclosing the unhappy or colorful lives that Sargent sometimes hinted at but didn’t spell out. . . . Sargent’s Women is a good read . . . [and its] chatty pleasures are considerable.—Michael Upchurch, Boston Globe
Sargent’s Women has a distinct elegance and potency—Lucey’s writing propels you forward, straight to the heart of the story, along the vibrant ties that linked this fascinating artist to the women he made infamous.—Christene Barberich, global editor-in-chief and cofounder, Refinery29
Like characters from the writings of Edith Wharton, [the women in this book] were smart, passionate, willful, adventurous and striking-looking—particularly when immortalized by John Singer Sargent. . . . Lucey’s prose is invitingly conversational and quick-flowing. Her character sketches are colorful and she is not, thank goodness, above conveying some wonderfully catty gossip.—Alexander C. Kafka, Washington Post
Ingenious.—Frances Wilson, Times Literary Supplement
Choosing four striking Sargent portraits of wealthy, cosmopolitan American women, Lucey vividly reveals the hidden truths of their tumultuous lives, while also succinctly telling the artist’s own intriguing story. . . . Lucey’s superlative group portrait, rendered in crystal-clear prose, is spring-fed by . . . her keen insights into what drove these women to break out of their gilded cages.—Booklist, starred review
[Lucey’s] narrative is engaging and elegant, set in a rich cultural and social framework that insightfully reflects the era.—Library Journal, starred review
Donna M. Lucey is the author of the New York Times best-selling Archie and Amélie and other books, the recipient of two National Endowment for the Humanities grants, and a 2017 writer-in-residence at Edith Wharton’s The Mount. The media editor at the Virginia Foundation for the Humanities, she lives in Charlottesville.
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Suri Rosen
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Paulinus
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Kuroki
Small Town Pride
Figueira Gastón 1905-
Radio Silence
Ambrogioth Contarini
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